Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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WILSON, Richard
The Mawddach Valley and Cader Idris

ID: 07261

WILSON, Richard The Mawddach Valley and Cader Idris
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WILSON, Richard The Mawddach Valley and Cader Idris


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WILSON, Richard

Welsh Romantic Painter, ca.1713-1782 British landscape painter, b. Wales. He studied in London and achieved success as a portrait painter, but after a visit to Italy (c.1750?C1756) he devoted himself to landscape in the classical tradition of Claude Lorrain. The exhibition of Wilson's Niobe in 1760 won him acclaim, and he was made a member and later librarian of the Royal Academy. His work did not become generally popular until after his death. Although his Italian landscapes did not depart from the classical tradition of picturesque Roman ruins and recumbent nymphs, his work shows considerable originality and breadth of treatment, especially in his many fine paintings of English country houses. He exerted a strong influence on subsequent landscape painting in England. On Hounslow Heath (National Gall., London) and Afternoon and Lake Nemi   Related Paintings of WILSON, Richard :. | European city landscape, street landsacpe, construction, frontstore, building and architecture. 169 | The flower pickers | Christ and the Woman of Samaria | Judas-Betrayal | The first lesson |
Related Artists:
Charles Warren Eaton
painted The Stump Lot in 1857 - 1937
DYCK, Sir Anthony Van
Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;
Karl Edvard Diriks
Norway (1855 -1930 ) - Painter






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